The Transformation of Malay Poetry Aesthetics into Contemporary Novels: An Analysis of Narrative Intertextuality
DOI:
https://doi.org/10.55909/dj3l.v4i2.93Keywords:
transformation, Malay poetry aesthetics , contemporary novels, analysis, narrative intertextualityAbstract
The currents of globalization and digitalization are slowly eroding the existence of oral traditions such as Malay poetry among the younger generation, making conversion into modern prose a crucial step to preserve local identity. Unfortunately, many contemporary writers simply attach elements of poetry as external decoration (local exoticism) without integrating them into the story structure, or even change them too freely to the point of losing their original sacred value. Several previous studies have indeed examined Riau literature, but their studies are still limited to social aspects, linguistic aspects, or the transformation of folklore. The research gap in this study lies in the absence of a specific analysis of how rigid poetic rules such as poetry are translated into the intrinsic elements of the novel. Using a qualitative-descriptive approach with an intertextual analysis of Gérard Genette and Julia Kristeva, this study dissects the novels Hempasan Gelombang (1999) by Taufik Ikram Jamil. The novelty of this research successfully answers two main research questions, by proving that the formulaic aesthetics of Syair Suluh Pegawai and Syair Perang Siak are not rigidly transferred, but rather are merged into a driving force of fragmentary plots, characters' inner conflicts, and the critical setting of the reform era. In conclusion, the hybrid nature of Riau culture allows poetry to be melted into modern prose. The implications of this finding provide a new theoretical formulation in the conversion of literary genres as well as a practical guide for young writers to revive classical literature.
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